Keep Calm and Read This: Blind Tribute by Mari Anne Christie

Keep Calm and Read This: Blind Tribute by Mari Anne Christie

This week I have the pleasure of welcoming Mariana Gabrielle. She has a new novel set in a different era from her previous releases (and if you haven’t read La Déesse Noire: The Black Goddess, or any of the Sailing Home series, get to it!). Writing as Mari Anne Christie, she’s delving into the world of journalism and the American Civil War. In the midst of new release mania, I managed to snag an interview with the big man himself, Harry Wentworth.

And there’s a giveaway!

NAME: Palmer Harrold Wentworth III (Palmer to his mother and wife; P.H. Wentworth III to readers; Harry to friends and family)
AGE: 57
OCCUPATION: Executive Editor of The Philadelphia Daily Standard, writing primarily on issues of business and finance
NET WORTH: ~$4 million
CURRENT DATE: April 1, 1861

If you had a free day with no responsibilities and your only mission was to enjoy yourself, what would you do?
Though I have been employed since my early twenties, I have never needed to work for my living, so I imagine I would do what I have chosen to do every day of my adult life: write.

What impression do you make on people when they first meet you? How about after they’ve known you for a while?
I have long since ceased concerning myself with the impression I make, as my reputation nearly always precedes me, and there is little I can do to change the perception created by my newspaper columns. I hope, upon deeper acquaintance, those who meet me understand that my reputation is larger than life, and I am only a man like any other.

What’s your idea of a good marriage? Do you think that’ll happen in your life?
My marriage is tolerable, and I think it foolish to expect anything more when marrying for bloodline. All ancestry being equal among the available young ladies, I chose my wife precisely for her lack of romantic notions, and largely, that has contributed to a successful partnership.

What are you most proud of about your life?
My twin daughters, Fleur and Belle, followed closely by the global readership I have worked all my life to build, and the reputation associated with such renown.

What are you most ashamed of in your life?
I am deeply ashamed of the way I raised my son, Robert. I am not certain what else I could have done, but I cannot help but feel responsible for the sort of man he has become.

If you could spend the day with someone you admire (living or dead or imaginary), who would you pick?
I would give all I own to spend the day with my childhood nanny, who is yet living, but beyond my reach.

Do you think you’ve turned out the way your parents expected?
I have turned out exactly as they expected, which is to say, not at all as they hoped.

What do you believe about God? (If they believe in God, ask “What do you suppose God thinks of you?”)
God is a convenient and efficient means of ensuring people act with decency and contribute to society. As such, it is a concept worthy of cultivation.

Is there anything you’ve always wanted to do but haven’t done? What would happen if you did it?
I wish I had freed two slaves, but the possibility is long since gone.

What’s the worst thing that’s happened in your life? What did you learn from it?
I have been disowned by my father three times, which taught me that his influence is smaller than he would have the world believe, and that I could survive on my own.

Tell me about your best friend. (If you think it might be interesting, ask “How did you meet? What do you like about this person? What do they like about you?”)
What a ridiculous notion. I am on intimate terms with several gentlemen, most notably, the current Secretary of State for the Union, William Seward, but a “best friend” is a fancy best suited to young girls.

Every newspaper editor may owe tribute to the devil, but Harry Wentworth’s bill just came due.

As America marches toward the Civil War, Harry Wentworth, gentleman of distinction and journalist of renown, finds his calls for peaceful resolution have fallen on deaf—nay, hostile—ears, so he must finally resolve his own moral quandary. Comment on the war from his influential—and safe—position in Northern Society, or make a news story and a target of himself South of the Mason-Dixon Line, in a city haunted by a life he has long since left behind?

The day-to-day struggle against countervailing forces, his personal and professional tragedies on both sides of the conflict, and the elegant and emotive writings that define him, all serve to illuminate the trials of this newsman’s crusade, irreparably altering his mind, his body, his spirit, and his purpose as an honorable man. Blind Tribute exposes the shifting stones of the moral high ground, as Harry’s family and friendships, North and South, are shattered by his acts of conscience.

Anne’s face contorted, red with rage. Her entire being seemed to swell three sizes. As many weeks as Harry had been considering this evening’s discussion, so had she. She would spring at him any moment with two weeks’ worth—two months’ worth—of argument she’d been amassing. He should have known; she’d been much too accommodating of his opinions thus far.

“Far be it from me to keep you from suicide, Palmer, for I shall be a very merry widow, but you cannot expect me to uproot my children over a minor conflict about which you have a bad feeling. You would have me leave everything I know to assuage your fears for our safety, when you refuse to stay and ensure it yourself?! I have family here, and a home, and two girls to present and marry. There is no chance the fighting will reach Pennsylvania before the insurrection is put down, and I’ll not disrupt everything for you, or for this ridiculous war!”

Instead of backing away, he stepped forward. “I married you because you read the newspaper, Anne, and because you do not usually speak drivel. Can you be so short-sighted? You would refuse to take our children to safety, simply because it is I who suggest it?” He raised his voice for the first time since their argument began. “No, Anne! I will not hear it! I have chosen the safest course for you and the children, and the only course for myself. Stop screeching about something you should have expected. I’ve had enough argument from you for one evening. The decision has been made.”

Her tone lowered from a shriek to a loud yell as she took a step backward. “I never believed you could do such an awful thing to your wife and children! Tearing us away from everything—our whole lives—so you can stand on some ill-defined principle! It’s inhuman!” She stomped her foot again, retaking the ground she had lost, shaking the pictures on the blue silk walls and the curios interspersed among the bookshelves. An Argentinean mask toppled off a shelf, but didn’t break on the Persian carpet.

He saw the tears well up, and hoped sincerely he would ultimately be allowed to soothe her when he won the disagreement, rather than watch her walk away from the fight, lock the door to her rooms, and prepare herself for continued battle until she’d won her point. Unfortunately, Anne’s tears in such a situation could portend anything—except surrender.

Click below to grab your copy today ~ available at most online vendors!

 

 

Mari was “raised up” in journalism (mostly raising her glass at the Denver Press Club bar) after the advent of the web press, but before the desktop computer. She has since plied her trade as a writer, editor, and designer across many different fields, and currently works as a technical writer and editor.

Under the name Mari Christie, she has released a book-length epic poem, Saqil pa Q’equ’mal: Light in Darkness: Poetry of the Mayan Underworld, and under pen name Mariana Gabrielle, she has written several Regency romances, including the Sailing Home Series and La Déesse Noire: The Black Goddess. Blind Tribute is her first mainstream historical novel. She expects to release the first book in a new family saga, The Lion’s Club, in 2018.

She holds a BA in Writing, summa cum laude and With Distinction, from the University of Colorado Denver, and is a member of the Speakeasy Scribes, the Historical Novel Society, and the Denver Press Club. She has a long family history in Charleston, South Carolina, and is the great-great niece of a man in the mold of Harry Wentworth.

And connect with Mari around the web:

Mari’s Website
Facebook
Twitter
Amazon Author Page
Goodreads
Wattpad
Bookbub
Authorgraph
Street Team

 

 

 

 

 

Mari will be giving away a quill pen (like Harry’s) and powdered ink, a swag pack including Harry’s Editorials Collection, and a e-copy of the book to one winner. To be entered for your chance to win, click this HERE.

 

An Open Letter to White, Straight, Able-bodied Romance Authors

An Open Letter to White, Straight, Able-bodied Romance Authors

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My esteemed colleagues,

We have a very long way to go.

Most of us say “Diversity in literature is really important,” and/or “I am not racist/ ableist/homophobic,” and/or “Of course, I would buy a romance novel by or about a person of color/gay or lesbian/disabled person.” But when was the last time you did?

When was the last time you bought a romance by an author, or about a character, with a different cultural, historical, or physical experience than your own? About a person with a different skin color, nationality, religion? About a gay man or lesbian or transgender person? When was the last time you bought a romance with a physically or mentally disadvantaged hero or heroine? A novel about people who live in the margins?

When was the last time you wrote one?

Women are overlooked in myriad areas of publishing—book contracts, sales, awards, reviews—but we are also the much greater portion of romance writers. Are we, as female authors who are often marginalized and maligned ourselves, really so callous as to assume people of color don’t have Happy Ever Afters? That LGBT romance is only about sex? That people with disabilities never fall in love? Or do we just not think about it?

This letter is not meant to encourage you to shoehorn a diverse character into a book that doesn’t need one, or write a book about diverse characters because it is a hot topic or because it feels like the right thing to do. One of the most wonderful things I have heard on this subject recently was: “I write characters who happen to be people of color. I don’t make a big deal about it.”

What I am proposing is that we don’t overlook characters with diverse experiences as we are writing. That we don’t miss them lurking in the shadows of our books. That we don’t push them aside because we don’t understand them. That we don’t dismiss a great idea because it is scary to be outside of our comfort zone, or because we are afraid to get something wrong.

But MOST IMPORTANT, I am proposing that we don’t overlook authors who are already doing it.

I am not saying a black person can’t write a book or have it published. I am not saying same-sex romance novels don’t exist. I am not saying a romance novel with an Indian heroine can’t become a bestseller (knock on wood). But these novels are shunted aside into the “African-American” or “Multicultural” or “LGBT” categories, which do not get as much attention as “Historical Romance” or “Regency Romance” or “Contemporary Romance,” overwhelmingly written by and about white people. And the more marginalized a book is on Amazon (and elsewhere), the less likely it is to be shown in the “People Also Buy” and “Recommended for You” sections. Front page of Amazon? Forget it.

I am not blaming or attacking, though to be sure, this topic almost always makes comfortable people suddenly uncomfortable. Yet, I think it worth the discomfort to have the conversation. This is a terribly important topic with enormous ramifications for groups that are already sidelined in so many ways. Are we okay with knowing that Vanessa Riley, Piper Huguley, Kianna Alexander, and Lena Hart have a harder time selling books than we do?

Do we, as romance writers, want to create one more place where it is harder to get ahead for a person of color than a white person?

  • I am guilty of overlooking diverse books, not out of malice, but simple inattention. I haven’t gone looking for them, because they are often hard to find.
  • I am guilty of assuming only white people read (and write) romance novels.
  • I am guilty of mentally labeling every historical with African-American characters “mainstream,” as though “romance” can’t be just as much a part of their experience as the historic hardships they faced.
  • I am guilty of using the hashtag #WeNeedDiverseRomance to promote my book before I knew the people who are doing the hard work to promote the subject matter.
  • I am guilty of asking my author friends who are people of color to educate me, rather than educating myself.
  • I will surely be guilty of causing unintentional offense, having now written a book with an Indian heroine.

So, to amend my own appalling oversights, I went looking for romance authors who are people of color or LGBT-identified or disabled and/or write romance novels about characters who are. In about an hour, I found more than sixty, and I am absolutely certain this is only a start.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I also found:

We Need Diverse Romance

https://www.facebook.com/DiverseBooks

@DiverseRomance

#WeNeedDiverseRomance

Buy a “WeNeedDiverseRomance” tee-shirt in black or white.

 

Women of Color in Romance

http://wocinromance.tumblr.com/%20

https://www.facebook.com/WOCInRomance

@WOCinRomance

#WOCinRomance

http://multiculturalromancewriters.com (Sortable author/book listings)

http://RomanceNovelsInColor.com (Book information and reviews)

http://www.RomanceSlamJam.org (African-American romance convention; home of the Emma Awards)

http://www.RainbowRomanceWriters.com (RWA Chapter for LGBT authors)

Romances with heroes or heroines with physical, mental, or emotional maladies

 

If you click on any of the links above, you may find a new romance author you will love or a way to support the cause of diverse romance. I did.

So, in closing, I ask every white, straight, able-bodied author who is reading this to:

  • Buy a book written by someone with a different historical, cultural, or physical experience than you.
  • Review a book written by someone with a different historical, cultural, or physical experience than you.
  • Recommend a book written by someone with a different historical, cultural, or physical experience than you.
  • Write a character with a different historical, cultural, or physical experience than you.

Saying and/or doing nothing on this topic is a vote against diverse authors and characters, when most of us believe that diversity in romance novels is important and there isn’t enough of it.

Where do you truly fall on this issue? What message do you want to send to other writers—and readers—who are different from you? How important is diversity to you? And what will you do about it today?

 

Sincerely,

Mariana Gabrielle/Mari ChristieMarianaGabrielle

[White] Author of Regency romance

www.MarianaGabrielle.com

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