Continuing our journey through William Hogarth’s series of eight paintings collectively known as A Rake’s Progress (painted from 1732-34 and published in 1735), this week we look at Plate 2: Surrounded by Artists and Professors. Based on the reaction of the title characters to our protagonist, Tom Rakewell, I picked a slang term I thought might reflect their feelings.
The paintings of A Rake’s Progress are in the collection of Sir John Soane’s Museum, London, and considered part of the public domain.
A familiar expression of contempt for another’s ignorance, as “ah! I see you’re a young one.” How d’ye do, young one?
From the Wikipedia description:
In the second painting, Tom is at his morning levée in London, attended by musicians and other hangers-on all dressed in expensive costumes. Surrounding Tom from left to right: a music master at a harpsichord, who was supposed to represent George Frideric Handel; a fencing master; a quarterstaff instructor; a dancing master with a violin; a landscape gardener Charles Bridgeman; an ex-soldier offering to be a bodyguard; a bugler of a fox hunt club. At lower right is a jockey with a silver trophy. The quarterstaff instructor looks disapprovingly on both the fencing and dancing masters. Both masters appear to be in the “French” style, which was a subject Hogarth loathed. Upon the wall, between paintings of roosters (emblems of Cockfighting) there is a painting of the Judgement of Paris.
Interestingly, in this painting’s colorized version, the image is not reversed, unlike the image in the Plate No. 1 last week. So my theory of the copying process reversing the scene was evidently spot-on (she reports with heavy sarcasm).
- Slang term taken from the 1811 Dictionary of the Vulgar Tongue.