WOW ~ Word of the Week ~ Ace of Spades

WOW ~ Word of the Week ~ Ace of Spades

Blindsided.

Gutted.

Marriage à-la-mode did not end the way I thought it would. No wonder these paintings were not received as well as his others. This series is full-on tragedy. What began as satire, for me, quickly spiraled into pure devastation. That poor child has a spot on his face, and we all know what that means. Only the dog is having a good day.

Marriage à-la-mode, a series of six pictures painted by William Hogarth between 1743 and 1745, are in the permanent collection of the National Gallery.

Ace of Spades

A widow.

Marriage à-la-mode: 6, The Lady’s Death (The Suicide of the Countess), by William Hogarth, 1743, National Gallery.

From the Wikipedia description:

Finally, in the sixth painting, The Lady’s Death (the name on its frame), called The Suicide of the Countess by Hogarth, the countess poisons herself in her grief and poverty-stricken widowhood, after her lover is hanged at Tyburn for murdering her husband. An old woman carrying her baby allows the child to give her a kiss, but the mark on the child’s cheek and the caliper on her leg suggest that disease has been passed onto the next generation. The countess’s father, whose miserly lifestyle is evident in the bare house, removes the wedding ring from her finger.

 

Dat father tho – once a cit, always a cit. The Bingley sisters may have been right after all, for all that they were barely fronting their one-generation-removed status.

Slang term taken from the 1811 Dictionary of the Vulgar Tongue.

WOW ~ Word of the Week ~ Capricornified

WOW ~ Word of the Week ~ Capricornified

Paging Dr. Phil, the Georgian era Dr. Phil. Or better yet, Steve Harvey. He’s pretty much the take-no-prisoners kind of non-certified therapist that this poor couple needs.

Unlike the past two Hogarth series I’ve profiled (A Rake’s Progress and A Harlot’s Progress), I’ve not looked at this series in its entirety. I’m looking at each painting as I write each post, which seems unheard of in this day of binge-watching entire seasons of shows, courtesy the Netflix-syndrome. I’m not sure if this couple will go the route of typical aristos and ignore each other, he with his mercury and she with her -ew, how bougee- lawyer, or if the newly minted Earl hubs will get airs and banish his Countess.

One thing is definite, by Hogarth’s Hand, and that is, the Countess has evidently given as good as her Earl. I feel like the number of horns in the painting alone qualifies this as a precursor to a Highlights magazine hidden pictures puzzle.

Hopefully minus the syphilis.

Capricornified

Cuckolded, hornified.

Marriage à-la-mode: 4, The Toilette (The Countess’s Morning Levee), by William Hogarth, 1743, National Gallery.

From the Wikipedia description:

In the fourth, The Toilette (the name on its frame), called The Countess’s Morning Levee by Hogarth, the old earl has died, so the son is now the new earl and his wife is the countess. The countess sits with her back to her guests, oblivious to them, as a servant attends to her toilette (grooming). The lawyer Silvertongue from the first painting is reclining next to the countess, suggesting the existence of an affair. This point is underlined by the child in front of the pair, pointing to the horns on the statue of Actaeon, a symbol of cuckoldry. Paintings in the background include the biblical story of Lot and his daughters, Jupiter and Io, and the rape of Ganymede. The Actaeon and several other figurines are seen marked for auction. Such paintings show the African, presumed to be untamed fetish-worshipper and hunter, now fashioned into an icon of courtly style.

 

Slang term taken from the 1811 Dictionary of the Vulgar Tongue.