Marriage à-la-mode did not end the way I thought it would. No wonder these paintings were not received as well as his others. This series is full-on tragedy. What began as satire, for me, quickly spiraled into pure devastation. That poor child has a spot on his face, and we all know what that means. Only the dog is having a good day.
Marriage à-la-mode, a series of six pictures painted by William Hogarth between 1743 and 1745, are in the permanent collection of the National Gallery.
Ace of Spades
From the Wikipedia description:
Finally, in the sixth painting, The Lady’s Death (the name on its frame), called The Suicide of the Countess by Hogarth, the countess poisons herself in her grief and poverty-stricken widowhood, after her lover is hanged at Tyburn for murdering her husband. An old woman carrying her baby allows the child to give her a kiss, but the mark on the child’s cheek and the caliper on her leg suggest that disease has been passed onto the next generation. The countess’s father, whose miserly lifestyle is evident in the bare house, removes the wedding ring from her finger.
Dat father tho – once a cit, always a cit. The Bingley sisters may have been right after all, for all that they were barely fronting their one-generation-removed status.
Slang term taken from the 1811 Dictionary of the Vulgar Tongue.